VERN GOSDIN
As country music swung back toward traditional styles in the 1980s, an inheritor of the soulful honky tonk style of Lefty Frizzell and Merle Haggard rose to the top of the business and notched hit after barroom hit. Sometimes he was known simply as "The Voice." Born in Woodland, AL, Vern Gosdin idolized the Louvin Brothers and the Blue Sky Boys as a young man and sang in a gospel quartet called the Gosdin Brothers.
Gosdin and his
brother, Rex, moved to Long Beach, CA, in 1961. They began performing bluegrass
music in the milieu that gave birth to country-rock, joining a group called the
Golden State Boys that evolved into the Hillmen, featuring future Byrds member
Chris Hillman. Vern and Rex teamed up to sing country music as the Gosdin
Brothers once again, had a Top 40 country hit in 1967 with "Hangin' On," and
opened for the Byrds on occasion.
Gosdin moved to Atlanta in 1972, running a retail shop. But he never gave up on
music completely. He performed at local clubs and began to gravitate toward
Nashville, where Emmylou Harris, a friend of Gosdin's from his California days,
was laying the foundation for a neo-traditionalist style of country music.
Around 1976 Gosdin and Harris cut a demo single consisting of "Hangin' On"
backed with a newly written song, "Yesterday's Gone." The demo got Gosdin signed
to the Elektra label, and both songs cracked the country Top 20. In the late
'70s he notched several major hits, including "Till the End" (with Janie
Fricke), "Mother Country Music," and a remake of the Association's "Never My
Love."
In 1980, after the demise of Elektra's country division, Gosdin quickly moved
through several contracts and landed with the independent Nashville label
Compleat. He made the Top Ten consistently in the early '80s, really hitting his
stride when he teamed with Max D. Barnes as a songwriting collaborator. The pair
specialized in songs of cheating and barroom romance, often delivering an
over-the-top emotionalism that got Gosdin compared to the ultimate legend of
honky tonk vocals, George Jones. In 1983, Gosdin had two Top Five hits — "If
You're Gonna Do Me Wrong (Do It Right)" and "Way Down Deep." The following year
he had his first number-one single with "I Can Tell by the Way You Dance (You're
Gonna Love Me Tonight)" and had two additional Top Ten hits. His career hit a
lull in the mid-'80s, but in 1987, with the traditionalist movement in full
swing and Warner Bros. artist Randy Travis roosting at the top of the charts, he
was tapped by the Columbia label. He bounced back into the Top Ten that year
with the tortured "Do You Believe Me Now," and in 1988 he hit number one once
again with the perennially popular Ernest Tubb tribute "Set 'Em Up Joe."
Gosdin's "Chiseled in Stone," co-written with Barnes, won the Country Music
Association's Song of the Year award in 1989. His 1989 album Alone was a rarity:
a concept album in a traditional country style. It chronicled the dissolution of
Gosdin's marriage. Gosdin's popularity declined as rock-influenced country
styles surged forward in the 1990s, but he continued to record on small labels
and never abandoned the pure country vocalism he had cultivated for so long.